Johann Sebastian Bach <br> Concertos and Cantatas

Johann Sebastian Bach
Concertos and Cantatas

€ 18,00

Ich bin vergnügt

Oboe concerto in G Minor: Largo

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ABOUT THE RECORDING

It is impossible to fully grasp the incredible richness of Bach’s compositions even after repeated listening, but despite the contrapuntal branching and details typical of individual sentences, the overall impression of his composition is very clear. That is where the composer’s greatness resides: he does not invent abstract constructions, but creates emotional masterpieces. In the concerts and cantatas on this recording, the idea of musical perfection based on polyphony is realized in a different manner and with different consequences in each composition.

CAST

Václav Luks | conductor

Xenia Löffler | oboe
Anna Prohaska | soprano

Collegium 1704
concert master | Helena Zemanová
violin I | Ivan Iliev, Martin Kalista, Markéta Knittlová, Daniel Deuter
violin II | Jana Anýžová, Simona Tydlitátová, Jan Hádek, Petra Ščevková, Martia Kuncl Štillerová, Vadym Makarenko
viola | Dagmar Valentová, Ildigo Ludwig, František Kuncl, Michal Dušek
violoncello | Balázs Máté, Libor Mašek
double bass | Luděk Braný
viola da gamba | Vittorio Ghielmi
cembalo, organ | Sebasstian Knebel
cembalo | Václav Luks
oboe | Michael Bosch, Katharina Andres
bassoon | Györgyi Farkas
French horn | Erwin Wieringa, Miroslav Rovenský

Collegium Vocale 1704
soprano | Alena Hellerová, Kamila Zbořilová, Ivana Brouková
alto | Aneta Petrasová, Marta Fadljevičová, Daniela Čermáková
tenor | Václav Čížek, Čeněk Svoboda
bass | Martin Schicketanz, Georg Finger, Martin Vacula

CONTENTS

Johann Sebastian Bach
Concerto g minor BWV 1056 R
Cantata Ich bin vernüngt mit meinem Glücke BWV 84
Concerto C Major BWV 1061
Cantata Falsche Welt, dir trau ich nicht! BWV 52
Concerto A Major BWV 1055

DONORS

The recording was released with the kind support of Vision 97, the Dagmar and Václav Havel foundation.

REVIEWS

As we are already used to with Václav Luks, his interpretative concept is emotionally tense, effective, and therefore captivating. Although, in my opinion, Bach’s music doesn’t need it that much, Luks here gives it enormous spontaneity, energy, almost animality, and is 100% convincing in his opinion. It is admirable how much these emotions are conveyed through the music recording and how all the musicians bring them to the surface without being carried away by them themselves. This is also proof of quality.

Dina Šnejdarová, Harmony

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